Chinese Export Black & Gilt Lacquer Four-Fold Screen – Circa 1920 Origin - Tibet surface losses and patina consistent

surface losses and patina consistent with its architectural use and age

Dimensions: W15 x D8 x H20 cm

its origins can be traced back to the pre-Vedic age

pots like these were used for storing bindi—the red powder symbolising the third eye in Hindu tradition

A stylised peacock rises proudly from the rear of the reservoir

Chinese Export Black & Gilt Lacquer Four-Fold Screen – Circa 1920 Origin - Tibet surface losses and patina consistentThis elegant early 20th century Chinese export screen is a striking example of traditional black lacquer artistry created for the Western market. Decorated in rich gilt tones against a deep black ground, the front presents a lively and highly detailed scene of children at play within a stylised garden landscape. Such imageryoften referred to as One Hundred Children scenessymbolises prosperity, happiness, and continuity of family lineage in Chinese